Marie Matusz
Marie Matusz

Marie Matusz (b. 1994, Toulouse) lives and works in Basel.

Her work results from critical engagement with forms and their inherent meanings, evolving through in-depth research into philosophical, sociological, and linguistic theories. By juxtaposing elements and textures, she creates an aesthetic of management and develops a choreography of the viewer while the works seem to remain motionless and static. This suspension goes beyond the physical, as it seeks to activate a suspension of time. Her work plays with this moment of idleness by presenting objects from various historical archives taken from our classical lexicon, and reexamining them through contemporary lenses and production techniques.

Marie Matusz obtained a bachelor’s degree in Visual Arts from the Geneva University of Art & Design (HEAD) in 2016 and a master’s from the Basel Academy of Art & Design (FHNW) in 2018.

Recent solo exhibitions include: Prequel, Blue Velvet Projects, Zurich (2023); Lonely Daters, Clima Milan, Fall at Swiss Institute, Milan, Vulture, Der Tank, Basel (2022); Until We Turn Blue (Dorothea Von Stetten Art Award), Kunstmuseum Bonn (2020); Epoche, Kunst Raum Riehen (2020); Golden Hour, Atelier Amden (2019); and Caravan, Aargauer Kunsthaus (2019). Her works have been included in Honey, Blue Velvet Projects, Zurich (2023); The Fairest – non playable character, Istituto Pier For (...) Read more

Marie Matusz (b. 1994, Toulouse) lives and works in Basel.

Her work results from critical engagement with forms and their inherent meanings, evolving through in-depth research into philosophical, sociological, and linguistic theories. By juxtaposing elements and textures, she creates an aesthetic of management and develops a choreography of the viewer while the works seem to remain motionless and static. This suspension goes beyond the physical, as it seeks to activate a suspension of time. Her work plays with this moment of idleness by presenting objects from various historical archives taken from our classical lexicon, and reexamining them through contemporary lenses and production techniques.

Marie Matusz obtained a bachelor’s degree in Visual Arts from the Geneva University of Art & Design (HEAD) in 2016 and a master’s from the Basel Academy of Art & Design (FHNW) in 2018.

Recent solo exhibitions include: Prequel, Blue Velvet Projects, Zurich (2023); Lonely Daters, Clima Milan, Fall at Swiss Institute, Milan, Vulture, Der Tank, Basel (2022); Until We Turn Blue (Dorothea Von Stetten Art Award), Kunstmuseum Bonn (2020); Epoche, Kunst Raum Riehen (2020); Golden Hour, Atelier Amden (2019); and Caravan, Aargauer Kunsthaus (2019). Her works have been included in Honey, Blue Velvet Projects, Zurich (2023); The Fairest – non playable character, Istituto Pier Fortunato Calvi, Venice, Intelleaks, Nameagesexlocation, Mexico, Spring Equinox, Suns.works, Zurich (2022); Liquida’s Tales, Cherishhhhh, Geneva, Shoe Show, Kligenthal, Basel, Dorothea Von Stetten Art Award 2020, Kunstmuseum Bonn, Bonn (2021); Ba- rely Furtive Pleasures, Nir Altman Gallery, Munich, Punk Delikatessen, Suns.Works, Zurich, Kunstkredit20 BaselStadt, Kunsthalle Basel, Basel (2020); Ein Karte -35/+65, Kunsthalle Basel, Basel, Retour À Rome, Instituto Svizzero, Roma, Crocodile Tears, Salts hosts Fiancé, Birsfelden, Dissonant Healing, Galerie Maria Bernheim, Zurich, Discoteca Analyti- ca, Kunsthalle Fri Art, Fribourg (2019). Marie Matusz received the Swiss Art Award in 2021.

MarieMatusz
Millennial Clock, 2022
install view
credits ChristianKnoerr
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