-opsis
of or relating to; likeness
< Greek ópsis appearance, sight
Milano, 2016: An episodic mutation. Presenting a sequential plutonic template.
An attempt to stimulate clonal advantages within sculptural genera. Against taxonomy. With a biomorphic regard to reverse engineering. A slowly evolved recombination, emergent from the Anthropocene. An epoch, a recursive cycle. Promoting growth but confused within epidemic vernaculars. Reincarnations of animate and inanimate forms clout the boundaries that define presence.
Imposing the protocol of movement. Consider Paris in the 19th century, urban planning based on experience, a more polymorphous navigation through space. Choreographed geographies, landscapes that move, there is rhythm in wandering.
Elemental materials that suffice as knowledge. Ubiquitous and familiar, hollowness. The illusion of volume; outside versus inside, inside. Dispensable opacities, the future is just surface.
A schematic for reproduction, line breeding. (Re)Producing genetic equivalencies but different in form. The presentation of a facility that harbors such sequences, casting from molds in search of mutation. Incubating detectabilities. Chromosomes seeking difference via the practice of cloning.
Let’s enliven the matrix.
I’m hollow and your hollow too.
In collaboration with Fonderia Artistica Battaglia and Futurdome.
Photo: Ma (...)
-opsis
of or relating to; likeness
< Greek ópsis appearance, sight
Milano, 2016: An episodic mutation. Presenting a sequential plutonic template.
An attempt to stimulate clonal advantages within sculptural genera. Against taxonomy. With a biomorphic regard to reverse engineering. A slowly evolved recombination, emergent from the Anthropocene. An epoch, a recursive cycle. Promoting growth but confused within epidemic vernaculars. Reincarnations of animate and inanimate forms clout the boundaries that define presence.
Imposing the protocol of movement. Consider Paris in the 19th century, urban planning based on experience, a more polymorphous navigation through space. Choreographed geographies, landscapes that move, there is rhythm in wandering.
Elemental materials that suffice as knowledge. Ubiquitous and familiar, hollowness. The illusion of volume; outside versus inside, inside. Dispensable opacities, the future is just surface.
A schematic for reproduction, line breeding. (Re)Producing genetic equivalencies but different in form. The presentation of a facility that harbors such sequences, casting from molds in search of mutation. Incubating detectabilities. Chromosomes seeking difference via the practice of cloning.
Let’s enliven the matrix.
I’m hollow and your hollow too.
In collaboration with Fonderia Artistica Battaglia and Futurdome.
Photo: Marco Davolio
- Jason GomezPinocchio hybrid, 2016
white bronze, plaster
13x50x10cm - Jason GomezSequential mutation, 2016
white bronze, plaster
30x45x17cm - Jason GomezUntitled (excavation), 2016
plaster, unfired clay, polyurethane, ink
22x34x22cm - Jason GomezI'm hollow and you're hollow too, 2016
polyurethane, pigment
17x24x47cm - Jason GomezWas a tree I, 2016
carbon fiber, polyurethane, silicone, bark, LED
25x30x8cm - Jason GomezClonal Advantage I, 2016
bronze, plaster
22x35x9cm - Jason GomezLeg log, 2016
polyurethane, cement, watercolor, rebar
16x44x35cm - Jason GomezClonal Advantage II, 2016
bronze, foam
23x34x13cm - Jason GomezIncubator, 2016
polyurethane, epoxy, vellum
26x52x6cm