-opsis
June 22 - September 30, 2016
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Jason Gomez

-opsis

of or relating to; likeness
< Greek ópsis appearance, sight

Milano, 2016: An episodic mutation. Presenting a sequential plutonic template.

An attempt to stimulate clonal advantages within sculptural genera. Against taxonomy. With a biomorphic regard to reverse engineering. A slowly evolved recombination, emergent from the Anthropocene. An epoch, a recursive cycle. Promoting growth but confused within epidemic vernaculars. Reincarnations of animate and inanimate forms clout the boundaries that define presence.

Imposing the protocol of movement. Consider Paris in the 19th century, urban planning based on
 experience, a more polymorphous navigation through space. Choreographed geographies, landscapes that move, there is rhythm in wandering.

Elemental materials that suffice as knowledge. Ubiquitous and familiar, hollowness. The illusion of volume; outside versus inside, inside. Dispensable opacities, the future is just surface.

A schematic for reproduction, line breeding. (Re)Producing genetic equivalencies but different in form. The presentation of a facility that harbors such sequences, casting from molds in search of mutation. Incubating detectabilities. Chromosomes seeking difference via the practice of cloning.

Let’s enliven the matrix.
I’m hollow and your hollow too.

In collaboration with Fonderia Artistica Battaglia and Futurdome.

 

Photo: Ma (...) Read more

-opsis

of or relating to; likeness
< Greek ópsis appearance, sight

Milano, 2016: An episodic mutation. Presenting a sequential plutonic template.

An attempt to stimulate clonal advantages within sculptural genera. Against taxonomy. With a biomorphic regard to reverse engineering. A slowly evolved recombination, emergent from the Anthropocene. An epoch, a recursive cycle. Promoting growth but confused within epidemic vernaculars. Reincarnations of animate and inanimate forms clout the boundaries that define presence.

Imposing the protocol of movement. Consider Paris in the 19th century, urban planning based on
 experience, a more polymorphous navigation through space. Choreographed geographies, landscapes that move, there is rhythm in wandering.

Elemental materials that suffice as knowledge. Ubiquitous and familiar, hollowness. The illusion of volume; outside versus inside, inside. Dispensable opacities, the future is just surface.

A schematic for reproduction, line breeding. (Re)Producing genetic equivalencies but different in form. The presentation of a facility that harbors such sequences, casting from molds in search of mutation. Incubating detectabilities. Chromosomes seeking difference via the practice of cloning.

Let’s enliven the matrix.
I’m hollow and your hollow too.

In collaboration with Fonderia Artistica Battaglia and Futurdome.

 

Photo: Marco Davolio

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